Ancient Protection: Using Apotropaic Magic to Ward Off Evil
Ancient cultures regularly called upon the powers of magical, or apotropaic, symbols and rituals to guard them and their loved ones from evil. While some of these images seem to have faded into obscurity, one can still find them in their various forms — especially in the United Kingdom — often hidden in plain sight.
“Apotropaic” is derived from a Greek word, meaning “to ward off” or “to turn away,” and when applied to magic, it becomes an umbrella term for various symbols used on a house to keep evil from entering, as well as specific objects imbued with magical powers that protect those wearing or traveling with them.
Traditionally found engraved or etched onto, or burned into areas of entry, — especially windows, fireplaces, and doors — apotropaic symbols are seemingly commonplace on ancient buildings with inhabitants who were fearful of evil spirits. Those interested can find them on houses, barns, churches, and cellar doors.
In February 2019, the largest discovery of British apotropaic marks was made during one of many tours in Creswell Crags, a limestone gorge replete with cliffs and caverns. Here, one can get a feel for the way caves were used during the Upper Paleolithic, Mesolithic, Neolithic, Bronze, and Roman ages. More than 100 of these so-called witches symbols were found, covering the walls and ceilings of the gorges’ numerous caves, and etched over dark holes and large crevices.
More than 50,000 visitors a year tour Creswell Crags, now considered a world-renowned heritage site. Until late, these medieval symbols were dismissed as common graffiti, but now experts claim that the scrawls are “actually the work of locals who once believed the ominous deep openings were a gateway to the underworld. The etchings were an apparent attempt to keep devils, witches and other evil occupants from spilling out.”
Lines and Shapes
Apotropaic symbols were most commonly created in three forms: a circle, a pentacle, and a “VV” shape. Less frequently, they have also found in diagonal lines, boxes, and mazes — and as hundreds of other variations on these themes.
The Daisy Wheel, or flower of life — a symbol resembling an encircled six-petaled flower — was the most frequently used witches’ symbol. Its single, continuous line was believed to be followed by evil spirits, and was used to confuse and trap them. Two small daisy wheels have even been discovered by the door leading into a beer cellar at Shakespeare’s birthplace at Stratford-upon-Avon, and many are still to be found in surviving English churches, as well as in medieval houses and farm buildings.
Daisy wheels inscribed at Bradford-on-Avon via historicengland.org
While the pentacle symbol is presently associated with paganism, it was regarded as the opposite in the Middle Ages— a mark imbued with the power to ward off witches. The five points on these stars were believed to represent the five wounds of Christ, and pentacles were most often worn as protective charms rather than etched into buildings.
In addition to designs, various letters are still believed to have significant power, depending on their associations. Most popular at the pinnacle of apotropaic usage was the “VV,” thought to evoke the protection of the Virgin of Virgins, or the Virgin Mary. Variations on this symbol appear as well, including “AM” for “Ave Maria,” and “M” for “Mary.”
In an era before scientific materialism, inhabitants of medieval villages attributed sickness, crop failures, and an array of misfortunes to the mischief of evil spirits — witches, demons, the devil, and so forth.
“Witches’ marks are a physical reminder of how our ancestors saw the world. They really fire the imagination and can teach us about previously held beliefs and common rituals. Ritual marks were cut, scratched or carved into our ancestors’ homes and churches in the hope of making the world a safer, less hostile place. They were such a common part of everyday life that they were unremarkable and because they are easy to overlook, the recorded evidence we hold about where they appear and what form they take is thin.”
– Duncan Wilson, Chief Executive of Historic England
What are now considered eerie and curious representations of a bygone era of a superstitious people, apotropaic symbols continue to resonate with people who profess a profound connection with the unseen world.
Apotropaic symbols may have grown out of popular favor, but their use is far from extinguished. While it may be difficult to assess the exact number of witches and pagans in the modern era, researchers from Trinity College conducted three surveys from 1990 to 2008 and found that, while there were an estimated 8,000 Wiccans in 1990, that number grew to 340,000 in 2008. Many of these individuals still use apotropaic symbols in their rituals and sacred texts.
Want to learn more about ancient signs and symbolism? Check out our series Secret Life of Symbols with Jordan Maxwell:
How the Mystery of Puma Punku Rivals the Pyramids
Pumapunku, also spelled Puma Punku, is the remains of an Incan holy site in the jungles of Bolivia that has attracted much attention as of late. The name means “door of the puma,” and as far as archaeologists know, Puma Punku was a thriving, ancient town originating somewhere around 500 and 600 C.E.
Here we are, a century and a half later, and irrepressible rumors continue to grow that Puma Punku’s massively heavy stone block structures were cut so precisely that highly advanced, ancient technology seems to be the only explanation for their incredible stone masonry.
The Tiwanaku (Tiahuanaco) civilization, which predated the Inca, likely influenced them through advanced stonework and agricultural practices. Although the Tiwanaku had declined before the Inca rose to power, the Inca may have adopted and adapted their techniques.
Located 45 miles west of the modern-day city of La Paz, Puma Punku is situated in the still-thriving city of Tiwanaku, high upon a desert plateau of the Andes Mountains, at an altitude of more than 12,000 feet. Tiwanaku is significant in Inca traditions, where the world was once believed to be created.
In this isolated part of the world, the ruins of Puma Punku showcase smooth stone structures made from large andesite and sandstone blocks, featuring precision cuts, clean right angles, and expertly fitted joints without the use of mortar. The megaliths are among the largest on earth, with some weighing several tons. While many of the structures are still standing centuries after their inhabitants disappeared, most of the buildings are scattered and broken around the area, leaving researchers to wonder what possibly could have moved around impossibly heavy buildings.
