Ancient Protection: Using Apotropaic Magic to Ward Off Evil
Ancient cultures regularly called upon the powers of magical, or apotropaic, symbols and rituals to guard them and their loved ones from evil. While some of these images seem to have faded into obscurity, one can still find them in their various forms — especially in the United Kingdom — often hidden in plain sight.
“Apotropaic” is derived from a Greek word, meaning “to ward off” or “to turn away,” and when applied to magic, it becomes an umbrella term for various symbols used on a house to keep evil from entering, as well as specific objects imbued with magical powers that protect those wearing or traveling with them.
Traditionally found engraved or etched onto, or burned into areas of entry, — especially windows, fireplaces, and doors — apotropaic symbols are seemingly commonplace on ancient buildings with inhabitants who were fearful of evil spirits. Those interested can find them on houses, barns, churches, and cellar doors.
In February 2019, the largest discovery of British apotropaic marks was made during one of many tours in Creswell Crags, a limestone gorge replete with cliffs and caverns. Here, one can get a feel for the way caves were used during the Upper Paleolithic, Mesolithic, Neolithic, Bronze, and Roman ages. More than 100 of these so-called witches symbols were found, covering the walls and ceilings of the gorges’ numerous caves, and etched over dark holes and large crevices.
More than 50,000 visitors a year tour Creswell Crags, now considered a world-renowned heritage site. Until late, these medieval symbols were dismissed as common graffiti, but now experts claim that the scrawls are “actually the work of locals who once believed the ominous deep openings were a gateway to the underworld. The etchings were an apparent attempt to keep devils, witches and other evil occupants from spilling out.”
Lines and Shapes
Apotropaic symbols were most commonly created in three forms: a circle, a pentacle, and a “VV” shape. Less frequently, they have also found in diagonal lines, boxes, and mazes — and as hundreds of other variations on these themes.
The Daisy Wheel, or flower of life — a symbol resembling an encircled six-petaled flower — was the most frequently used witches’ symbol. Its single, continuous line was believed to be followed by evil spirits, and was used to confuse and trap them. Two small daisy wheels have even been discovered by the door leading into a beer cellar at Shakespeare’s birthplace at Stratford-upon-Avon, and many are still to be found in surviving English churches, as well as in medieval houses and farm buildings.
Daisy wheels inscribed at Bradford-on-Avon via historicengland.org
While the pentacle symbol is presently associated with paganism, it was regarded as the opposite in the Middle Ages— a mark imbued with the power to ward off witches. The five points on these stars were believed to represent the five wounds of Christ, and pentacles were most often worn as protective charms rather than etched into buildings.
In addition to designs, various letters are still believed to have significant power, depending on their associations. Most popular at the pinnacle of apotropaic usage was the “VV,” thought to evoke the protection of the Virgin of Virgins, or the Virgin Mary. Variations on this symbol appear as well, including “AM” for “Ave Maria,” and “M” for “Mary.”
In an era before scientific materialism, inhabitants of medieval villages attributed sickness, crop failures, and an array of misfortunes to the mischief of evil spirits — witches, demons, the devil, and so forth.
“Witches’ marks are a physical reminder of how our ancestors saw the world. They really fire the imagination and can teach us about previously held beliefs and common rituals. Ritual marks were cut, scratched or carved into our ancestors’ homes and churches in the hope of making the world a safer, less hostile place. They were such a common part of everyday life that they were unremarkable and because they are easy to overlook, the recorded evidence we hold about where they appear and what form they take is thin.”
– Duncan Wilson, Chief Executive of Historic England
What are now considered eerie and curious representations of a bygone era of a superstitious people, apotropaic symbols continue to resonate with people who profess a profound connection with the unseen world.
Apotropaic symbols may have grown out of popular favor, but their use is far from extinguished. While it may be difficult to assess the exact number of witches and pagans in the modern era, researchers from Trinity College conducted three surveys from 1990 to 2008 and found that, while there were an estimated 8,000 Wiccans in 1990, that number grew to 340,000 in 2008. Many of these individuals still use apotropaic symbols in their rituals and sacred texts.
Want to learn more about ancient signs and symbolism? Check out our series Secret Life of Symbols with Jordan Maxwell:
The Transformational Power of the Viking's Runes
The Birth of Runes
The Viking runes came into being when Odin brought them forth from another world. Historians from the National Museum of Denmark explain that Odin ruled over Asgard, which contains Valhalla, “the hall of the slain.” Half the warriors who died in battle were collected by his female handmaidens, the valkyries, who belonged to him. As such, Odin was the object of worship by kings, warrior chieftains, and their people.Â
In a mythic Viking tale, Odin wounds himself with his own spear before hanging himself from the Yggdrasil—the world tree in Norse culture—for nine nights, drawing wisdom from the Depths of Urd, just below it. From there, Odin sees the runes that existed even before his own coming into being, “a time before time.”Â
Just as he’s about to die, Odin gathers up the runes and shares them with all of creation and an array of supernatural entities and human beings. Eventually, the runes were given their shapes and phonetic values by subsequent tribal elders. They were carved on weapons, tools, jewelry, amulets, bones, pieces of wood, memorial stones, church walls, and other hard surfaces.
Ancient peoples of the Germanic lands knew the runes to be beyond the time and space with which most people are familiar. Some experts suggest that they were never really “invented,” but are instead eternal, pre-existent forces that Odin discovered through his aforementioned superhuman ordeal.
Historians have linked the runes to areas with a history of Germanic-speaking peoples, including from Iceland to Scandinavia, throughout England, and into Central Europe. Even Constantinople is home to the runes, showing that ancient seafaring cultures had made their way into what is now modern-day Turkey.Â
Reading the RunesÂ
We may use the metaphor of a tree to assess how the runes are read. Historian Emma Groeneveld noted that “they are generally made up of vertical lines — one or more — with ‘branches’ or ‘twigs’ jutting out diagonally (and very occasionally horizontally) upwards, downwards or in a curve from them. They can be written both from left to right and from right to left, with asymmetrical characters being flipped depending on the direction of writing.Â
Each rune represents a phoneme (a speech sound) and had a name, made up of a noun, that started (and in one case, ended) with the sound the rune was mainly associated with. Lots of regional and temporal variation existed in the shapes of the letters.”Â
Experts of Norse mythology explain that, on the surface, runes seem to be letters. However, they are much more, because each one is a symbol of a cosmological principle or power. The very act of writing a rune called upon unseen spiritual forces. In every Germanic language, wrote historian Daniel McCoy, the word rune comes from the Proto-Germanic word that means both “letter” and “mystery.”Â
The Eternal Magic of the RunesÂ
The runes have been used to link the natural and supernatural worlds, and this gives them the power to enact spells for protection or success. Still, said Olsen in an exclusive Gaia interview, according to archaeological and historical evidence, runes were used as magical tools for healing, transformation, building wealth, and for making the world a better place.Â
The power of the runes is in their sound vibrations, teaches Olsen. Each runic character represents a letter so that it can be combined with others to form words. The runes are also magical symbols, and each character has its own name and symbolic meaning.Â
Norwegian historian Marit Synnøve Vea explained that runes are not limited to their carved signs, but are also applied in certain songs, magical formulas, secret skills, and for secrets hidden in Skaldic (Old Norse) poetry. Vea noted that runic magic was used to foretell the future, as a form of protection, to cast spells, to cure illness, to bestow love, and much more.Â
But where there is power, there is a warning. In the wrong hands and minds, runes carved by unskilled persons could represent risky business. Vea cites a poem from the Old Norse Egil Saga that serves as an ancient warning for the modern generation:Â
Runes none should grave ever
Who knows not to read them;
Of dark spell full many
The meaning may miss.
Ten spell-words writ wrongly
On whale-bone were graven:
Whence to leek-tending maiden,
Long sorrow and painÂ
The history of the runes is the history of timelessness, a paradox among paradoxes. Often regarded as tools for parlor games, serious historians have found the deeper meaning in ways the runes can be read and applied for the betterment of life on this planet and the invisible worlds.
